Killing Eve - Wikipedia

Killing Eve is a British spy thriller television series, produced in the United Kingdom by Sid Gentle Films for BBC America and BBC Three. KillingEve FromWikipedia,thefreeencyclopedia Jumptonavigation Jumptosearch Britishspythrillertelevisionseries KillingEveGenre Spythriller[1] Drama[2] Blackcomedy[1] BasedonVillanellenovelseriesbyLukeJenningsStarring SandraOh JodieComer FionaShaw DarrenBoyd OwenMcDonnell KirbyHowell-Baptiste DavidHaig KimBodnia SeanDelaney NinaSosanya EdwardBluemel HenryLloyd-Hughes AdrianScarborough AdeelAkhtar RajBajaj TurloughConvery StevePemberton DannySapani HarrietWalter GemmaWhelan CamilleCottin AnjanaVasan RobertGilbert LaurentiuPossa IngvarSigurdsson Marie-SophieFerdane Composers DavidHolmes KeefusCiancia Countryoforigin UnitedKingdom OriginallanguageEnglishNo.ofseries4No.ofepisodes32(listofepisodes)ProductionExecutiveproducers SallyWoodwardGentle LeeMorris PhoebeWaller-Bridge EmeraldFennell GinaMingacci DamonThomas PunitKulkarni SandraOh Producers ColinWratten ElinorDay CamerasetupSingle-cameraRunningtime40–43minutesProductioncompanies SidGentleFilms BBCAmericaOriginalProduction EndeavorContent DistributorIMGReleaseOriginalnetworkBBCAmericaOriginalrelease8April2018 (2018-04-08) –10April2022 (2022-04-10) KillingEveisaBritishspythrillertelevisionseries,producedintheUnitedKingdombySidGentleFilmsforBBCAmericaandBBCThree.TheseriesfollowsEvePolastri(SandraOh),aBritishintelligenceinvestigatortaskedwithcapturingpsychopathicassassinVillanelle(JodieComer).Asthechaseprogresses,thetwodevelopamutualobsession.BasedontheVillanellenovelseriesbyLukeJennings,eachoftheshow'sseriesisledbyadifferentfemaleheadwriter.ThefirstserieshadPhoebeWaller-Bridgeastheheadwriter,thesecondseriesEmeraldFennell,thethirdseriesSuzanneHeathcoteandthefourthseriesLauraNeal. ThefirstseriespremieredonBBCAmericaon8April2018,andonBBCiPlayeron15September2018throughBBCThree.Thethirdseriespremieredon12April2020forBBCAmerica,andon13April2020forBBCiPlayer,[3]andconcludedon31May2020.Thefourthseries[4]premieredon27February2022onBBCAmerica,28February2022onBBCiPlayerand5March2022onBBCOneandconcludedon10April2022.[5] Thefirsttwoserieswerepraised,whereasthefinaltwoseriesreceivedmoremixedresponses,withthefourthinparticulardrawingsignificantbacklashfromcriticsandaudiences.Theshowbrokeweeklyratingsincreases,andreceivedseveralaccolades,includingBritishAcademyTelevisionAwardforBestDramaSeries.BothOhandComerwerepraisedfortheirperformances,winningtheGoldenGlobeAwardforBestActress–TelevisionSeriesDramaandthePrimetimeEmmyAwardforOutstandingLeadActressinaDramaSeries,respectively.ComerandFionaShawhavealsoreceivedBritishAcademyTelevisionAwardsfortheirperformances. Contents 1Synopsis 2Castandcharacters 2.1Main 2.2Recurring 2.3Guest 3Production 3.1Casting 3.2Filming 3.3Music 3.4Renewal 4Episodesandbroadcast 5Themes 5.1Intertwinedcharacterisations 5.2Contrast,conflictandattraction 5.3Social,thematicandcreativecontext 5.4Relationshipsandsexuality 5.5Portrayals 5.6Useoffashion 5.6.1Villanelle 5.6.2EvePolastri 6Reception 6.1Criticalresponse 6.1.1Series1 6.1.2Series2 6.1.3Series3 6.1.4Series4 6.1.5"Bestof"lists 6.2Ratings 7Accolades 8Spin-off 9References 10Externallinks Synopsis[edit] Inthefirstseason,EveisboredwithherprotectionroleinMI5and,afterbrashlyinvestigatingthebehind-the-scenesofawitnesssheishandling,sheisfired.HoweverherpassionforfemaleassassinslaterleadstoherjoininganundercoverdivisionwithinMI6whosetaskistopursueandlocateVillanelle,aruthlessinternationalassassinwhoworksforasecretorganisationcalledTheTwelve.WhenEveandVillanellecrosspathstheybeginacycleofobsessionwhichleadsthemawayfromtheirindividualmissionsandclosertoeachother. Inthesecondseason,afteraviolentencounterattheendofseasonone,EveandVillanelleresumetheirobsessiverelationshipwhilecontinuingtheirseparatemissions.EveworkstosolvekillssetbyTheTwelvewhileVillanellecontinuestokillforTheTwelve;however,afteranewkillerappearsonthescene,thefocuschangesforTheTwelveandMI6,asbothwomenarepittedtoworkwitheachother.AdangerousmissionleadsEveandVillanelletoRomewheretheirownlivesareastake. ThethirdseasonpicksupsixmonthsafterthefalloutofthemissioninRome.Eve,traumatisedbyhernear-deathexperienceatthehandsofVillanelle,quitsMI6andbeginslivingalow-profileexistence,whilstVillanelleattemptstodiscovernewwaysofearningalivingaftershestopskillingforTheTwelve.However,theunexpectedarrivalofherformerTwelvetrainerleadsVillanelletoquestionwhoshereallyisandifkillingiswhatshe'smadefor,whereasEvebeginslookingintoTheTwelveagainaftertheymurdersomeoneclosetoher,leadingbothwomentocrosspathsoncemore. ThefourthandfinalseasonpicksupsoonafterthethirdwithEvenowdesperateforrevengeonTheTwelvewhilstVillanelleiseagertochangeforEve.However,duetotheirdifferentoutlooksontheirpersonalmissions,EveandVillanellebegintoclashleadingthemoffintotheirseparatedirectionsbutbotheventuallyaimingforthesamegoal,destroyingTheTwelve. Castandcharacters[edit] Main[edit] SandraOhasEvePolastri,ananalystwithMI5whobecomestirelesslypreoccupiedwithanotoriousassassinandisrecruitedonanoff-the-booksbasistotheforeignintelligenceagencyMI6 JodieComerasOksanaAstankova/Villanelle,apsychopathicandskilledassassin,whobecomesobsessedwiththeMI6officerwhoistrackingher Comeralsoplays"JesusChrist"(whoappearsasVillanelleindrag),withPennyAshmoreasherbodydouble(recurringseries4) FionaShawasCarolynMartens,headoftheRussiaSectionatMI6 ImogenDainesasYoungCarolyn/"Janice"(guestseries4) KimBodniaasKonstantinVasiliev,Villanelle'shandler LouisBodniaAndersenasYoungKonstantin/"Karl"(guestseries4) OwenMcDonnellasNikoPolastri,Eve'sEnglish-Polishhusband,amathsteacherandbridgeplayer(series1–3;guestseries4) SeanDelaneyasKenneth"Kenny"Stowton,Carolyn'sson,anex-hackerwhohasbeenrecruitedbyMI6.HelaterbecomesajournalistforBitterPill.(series1–3) DarrenBoydasFrankHaleton,Eve'ssupervisoratMI5(series1) DavidHaigasBillPargrave,Eve'sMI5associatewhocomeswithhertoMI6(series1;guestseries4) KirbyHowell-BaptisteasElenaFelton,Eve'sassistant(series1;guestseries4) NinaSosanyaasJess,anexperiencedMI6agentnowworkingasapartofEve'steam(series2) EdwardBluemelasHugoTiller,awealthyOxfordgraduate,whoisworkingasapartofEve'steamatMI6(series2;recurringseries4) HenryLloyd-HughesasAaronPeel,theheirtoatechcompanyfollowingtheassassinationofhisfather,mogulAlistairPeel(series2) AdrianScarboroughasRaymond,amemberoftheTwelveandoneofVillanelle'sformerhandlers(series2) AdeelAkhtarasMartin,theBritishIntelligenceexpertonpsychopaths(series2and4) RajBajajasMoJafari,anewMI6agentworkingforCarolyn(series3) TurloughConveryasBear,Kenny'scolleagueatBitterPill(series3) StevePembertonasPaul,anMI6supervisor(series3) DannySapaniasJamie,Kenny'sbossatBitterPill(series3) HarrietWalterasDashaDuzran,ahard-bittenone-timeOlympicgymnastturnedspy,Villanelle'sformertrainerandmentor(series3) GemmaWhelanasGeraldine,Carolyn'sdaughterandKenny'soldersister(series3) CamilleCottinasHélène,ahigh-rankingmemberoftheTwelve(series3–4) AnjanaVasanasPam,Hélène'snewestassassinrecruitwhoworksatafuneralhome(series4) RobertGilbertasYusuf,Eve'sassociate(series4) LaurentiuPossaasVlad,Carolyn'sRussianassociate(series4;guestseries1) IngvarSigurdssonasLarsMeier,amemberoftheTwelvewhohastieswithCarolyn(series4) SiggiIngvarssonasYoungLars/"Johan"(guestseries4) Marie-SophieFerdaneasGunn,aseasonedassassinfortheTwelve(series4) Recurring[edit] SoniaEllimanasMadameTattevin,Villanelle'sneighbouratherapartmentbuildinginParis(series1;guestseries2) BillyMatthewsasDominikWolanski,ayoungbridgeplayer(series1) OliviaRossasNadia,anassassinfortheTwelveandVillanelle'sformerloveinterest(series1) SusanLynchasAnna,Villanelle'sformerlanguagesteacherandloveinterest(series1) YuliLagodinskyasIrina,Konstantin'syoungdaughter(series1,3–4) ShannonTarbetasAmberPeel,Aaron'ssister(series2) EmmaPiersonasGemma,ateachercolleagueofNiko's(series2) JungSundenHollanderasJin/TheGhost,arivalassassinhiredbyAaron(series2) AyoolaSmartasAudrey,Kenny'sgirlfriendandaco-workeratBitterPill(series3) AlexandraRoachasRhian,arivalassassinfortheTwelve(series3) SteveOramasPhil,avicar(series4) ZindziHudsonasMay,Phil'sdaughter(series4) ManpreetBachuasElliot,Pam'sbrotherandbossatthefuneralhome(series4) AnyastassiaMelehesasChloe,Hélène'sdaughter(series4) MonicaLoperaasFernanda,Lars'ex-wifeandHélène'sex-lover(series4) Anna-MariaEverettasBenita,Carolyn'stemporarycaretakerinHavana,Cuba(series4) JoshZaréasDarren,acarnivalworkerwhofallsforPam(series4) Guest[edit] RemoGironeasCesareGreco,atargetofVillanelle's(series1) CharlieHamblettasSebastian,aneighbourofVillanelle'swithwhomshebeginsafriendship(series1) EdwardAkroutasDiego,aknow-it-allassassinworkingwithVillanelle(series1) JulianBarrattasJulian,anoldermanwholetsVillanellestaywithhim(series2) ZoëWanamakerasHelenJacobsen,aseniorBritishIntelligenceofficialandCarolyn'sboss(series2) DominicMafhamasCharlesKruger,theaccountantfortheTwelve(series3) RebeccaSaireasBerthaKruger,thewifeofCharles(series3) EvgeniaDodinaasTatiana,Oksana'smother(series3) PredragBjelacasGrigoriy,Tatiana'snewhusband(series3) Production[edit] SallyWoodwardGentle,ofSidGentleFilms,optionedLukeJennings'sCodenameVillanellein2014,sayingthat"thenotionofafemaleassassinwasnotunique",butthatJennings'stakewas"fresh,intelligentandtonallymuchbolderthanothers",addingthatshewasparticularlyinterestedbecause"Itwasn'texploitative.WereallyenjoyedthecharacterofVillanelleandtheinventivenessofherkills,butwewereparticularlyengagedwiththemutualobsessionbetweenthewomen".[6]Jennings'sstorybeganasafour-partnovellapublishedbetween2014and2016.FollowingthestagesuccessofFleabag,PhoebeWaller-Bridgewasrecruitedtowritetheshow,whichwasthencommissionedbyBBCAmericainNovember2016.[7] Casting[edit] SandraOhplaysEvePolastriJodieComerplaysVillanelle SandraOhwasthefirsttobecastinJune2017,asthetitlecharacterEvePolastri,[8]andIMGagreeddistributionrightslaterthatmonth.[9]Ohreportedlywasconfusedoverwhichcharactershewouldbeplayingwhenshefirstreceivedabreakdown,thinkingthatshewouldnothavetheoptiontoauditionfortheyoungassassinandnotevenconsideringthelead.LaterheragentsinformedherthatshewouldbereadingfortheroleofEve.[6] FortheroleofVillanelle,theproductionconsideredover100actresses[6]beforeJodieComerwascast,aboutamonthafterOh.[10]SallyWoodwardGentletoldBackstagethattheproduction"didn'twantVillanelletobelikeNikitaorTheGirlWiththeDragonTattoo—thatmalefantasyversionofwhatawomanwho'dcomeforthemmightlooklike.Wewantedhertobeabletodisappearintoacrowd".[6]Comer'sfirstauditioninvolvedactingoutthekitchenscenefrom"IHaveaThingAboutBathrooms"withOh,wherethetwoclicked.[6] Initially,Waller-BridgeconsideredcastingherselfaseitherEveorVillanelle,butdiscardedthisideaasshewantedalargeragegapbetweentheleads.[11]KirbyHowell-BaptistewascastasElenainAugust2017.[12] InAugust2019,DeadlineHollywoodannouncedthatHarrietWalterandDannySapanihadjoinedthecastforthethirdseries.[13]MorecastadditionswererevealedinNovember,includingGemmaWhelan,PredragBjelac,CamilleCottin,StevePemberton,RajBajaj,TurloughConvery,andEvgeniaDodina.[14] Filming[edit] Filmingforthefirstseriesbeganon17July2017inTuscany,extendingtofurtherlocationsinParis,Berlin,Bucharest,[15]Cheshunt,Turville,London[16]andWestLondonFilmStudios.TheVienneseCafeopeningsceneswereshotatBarGaribaldiinCollediVald'Elsa,asmallhilltoptownnorthwestofSiena,Tuscany.ThebuildingusedasEve'sbaseisinWarwickHouseStreet,justoffTrafalgarSquare.[17]IntheLondonpubscene,theexternalshotshowsTheAlbertpubinVictoriaStreet;theinteriorswereofthedark-panelledOldNickinSandlandStreet.Inepisodethree,VillanelleluresDavidHaig'scharacterBillPargraveintotailingheroutofBerlinFriedrichstraßestationandalonganeighbouringBerlintramwaystreetbeforeenteringabusynightclub,thelocationofwhichwasFabric,oppositeLondon'sSmithfieldMarket.Bucharest'sneoclassicalRomanianAthenaeumconcerthallwasconvertedintoadecadentcaféforthepenultimateMoscowscene.FilmingalsotookplaceatNell'sCafé,apopularroadsidecaféofftheA2nearGravesendinKent,aswellasatthenearbyM2motorway.[18]FilmingalsotookplaceattheRadcliffeCamerainOxfordandproductionconcludedon15December2017. Productionforthesecondseriesbeganon16July2018andconcludedon14December.[19] FilmingforthethirdseriesbeganinAugust2019,[20]FilminglocationsincludedViscriandComandăuinRomania.[21]Additionally,severallocationswereusedinBarcelona,Spain,[22]amongthemtheArcdeTriomfonPasseigdeLluísCompanysandthePortVellAerialTramway.TheinteriorofVilanelle'sBarcelonaapartmentwasshotinsidetheCasaRamos [ca],anotedModernistaapartmentblockinthePlaçadeLessepswhichwasdesignedin1906bythearchitectJaumeTorresiGrau [ca].ProductionforthethirdseriesendedinJanuary2020inLondon. Filmingforthefourthandfinalseriesbeganon7June2021[23]andendedon6November2021.MargateinKentfeaturesthroughoutEpisodesfourtoseven,withfilmingtakingplaceonthebeach,variousstreets,Dreamland,theNaylandRockHotelandSandsCafé.[24] Music[edit] ThebandUnloved,featuringJadeVincent,KeefusCiancia,andDavidHolmes,werecommissionedtoscoretheseries.[25] Renewal[edit] Shortlybeforeitspremiere,KillingEvewasrenewedforasecondseries.[26][27]LukeJennings'ssequel,KillingEve:NoTomorrow,waspublishedinMarch2019,shortlybeforethesecond-seriespremiere;[28]thebookissaidtodivergefromthetelevisionseries,butalsoto"sharecommonDNA"becauseofJennings'scontinuedcollaborationwiththecreators.[28]InJuly2018,TheHollywoodReporterreportedthatWaller-Bridgedelegatedsomeresponsibilityforthesecondseries,hiringEmeraldFennellasheadwriter,andLisaBrühlmannandFrancescaGregoriniasdirectors.[29] Lessthantwelvehoursafterthepremiereofthesecondseries,BBCAmericarenewedtheseriesforathird.SuzanneHeathcoteservedasshowrunner,[30]sothateachnewseasonofKillingEvebringsonanewfemaleshowrunner.[31] On3January2020,KillingEvewasrenewedforafourthseriesaheadofthepremiereofthethirdseries.[4]On20February,LauraNealwasannouncedastheheadwriteraswellasanexecutiveproducerofthefourthseries.[32]InMarch2021,itwasconfirmedthatthefourthserieswouldbeitslast.[5] Episodesandbroadcast[edit] Mainarticle:ListofKillingEveepisodes SeriesofKillingEveSeriesEpisodesOriginallyairedFirstairedLastaired188 April 2018 (2018-04-08)27 May 2018 (2018-05-27)287 April 2019 (2019-04-07)26 May 2019 (2019-05-26)3812 April 2020 (2020-04-12)31 May 2020 (2020-05-31)4827 February 2022 (2022-02-27)10 April 2022 (2022-04-10) IntheUnitedKingdom,theserieswasshownonBBCOneinSeptember2018andasstream-onlyonBBCThree.[33]Thefirstepisodewasbroadcaston15September2018,[34]andseenby8.25 millionviewerswithinthefirsttwenty-eightdays.[35][36]ThesecondserieswasreleasedinitsentiretyonBBCiPlayeron8June2019,withitsfirstepisodebeingshownonBBCOnethesameday.[37][36] Thethirdserieswasreleased6 ameveryMondayfrom13April2020onBBCiPlayer. IrishbroadcasterRTÉ2wasthefirstbroadcasterinEuropetopremieretheshow,[38]withthefirstepisodebroadcastto76,000viewerson27August2018.[39]Thefinalseasonwillpremiereon1March2022onRTÉOne. InNewZealand,second-seriesepisodespremieredtwodaysbeforetheirUSbroadcastonTVNZOndemand.[40]EpisodeswillaironTVNZ2thesamedayastheUSbroadcast.[citationneeded]Thesecondseriesbeganbroadcastingon7April2019,shownconcurrentlyintheUnitedStatesbybothBBCAmericaandAMC.[41] InCanada,theseriesdebutedon22July2018onBravo![42]TheseriescontinuestobebroadcastonthechannelwhichisnowbrandedasCTVDramaChannel.ItisalsoavailableontheCanadianstreamingnetworkCrave. On14February2020,itwasannouncedthatthethirdserieswouldpremiereon26April2020;[43]however,thepremieredatewaslatermovedupto12April2020.[44] Themes[edit] Intertwinedcharacterisations[edit] InTheNewYorker,JiaTolentinocharacterisedbothPolastriandVillanelleas"deeplystrange"andpossessedofa"wild,unlikelyinteriorweirdnessandflux",writingthatitseemedequallypossiblethatthey"couldteamup,ortrytokilleachother,orfallintobed".[45]JudyBermanwroteinTheNewYorkTimesthatAgentPolastritracksassassinVillanellenotasheroandvillainbutas"twobrokenwomenwhoseflawsbindthemtogetherinatwistedpasdedeux".[46]Villanelleisromanticallyinterestedinwomenand,asWillaPaskinwroteinSlate,iscaptivatedbyPolastriperhapsinpartbecauseofa"sharedbrusqueness".[47] Despitebeingenemiesprofessionally,bothcharactersareprofessional,childlesswomen,[48]"hard-working,ambitious,andslightlyobsessive",[49]whoserespectiveworlds"betrayedanddeceivedthemateveryturn".[50]MelanieMcFarlandwroteinSlatethattheyare"twoofakind"and"cantrustineachother'sconstancy",[50]withPriscillaFrakwritinginTheHuffingtonPostthatbothwomenare"fueledbyavolatilecocktailofambition,curiosityandmorbidadoration".[51]AngelicaJadeBastiénwroteinVulturethat,withEve,Villanelle"feelssomethingbeyond(the)crushingboredom"shenormallyexperiences,whileEvelooksatVillanelleas"anescapeintofeminineexcess".[52]Perceiving"mirror-imagesimilaritiesbetweenthem,forthegoodandthebad",executivedirectorEmeraldFennellpositedthequestion,"Whatdoesitlooklikewhenapsychopathstartstolearnhowtofeelthings,andwhenawomanwho'sincrediblyempatheticandintuitivestartstolosethosepartsofherself?"[53] FennellalsosaidthattheEveandVillanellerelationshipwillalwaysbethecoreoftheshow,[54]inaccordancewiththeperceptionofBBCreviewerCarynJameswhowrotethatthe"series'trueallureisthedeeplycomplicatedlove-hatedynamicbetweenthosetwocharacters",[55]NPR'sreviewerTerryGross'viewthatthecharacterdynamic"setsKillingEveapartfromotherthrillers",[56]andaDanSniersonreviewinEntertainmentWeeklythattheseriesportrays"TV'smostmesmerizing,twistedrelationship".[53] Contrast,conflictandattraction[edit] JiaTolentinowroteinTheNewYorkerthatthe"amoral"Villanelle'sexistenceis"saturatedwithpleasure",incontrasttoEve'scareerasa"boredsecurity-statefunctionary".[45]SerieswriterPhoebeWaller-BridgeexplainedthatPolastrihasa"senseofself-consciousnessandguilt"thatcripplesher–aperfectcounterpointtoVillanelle,who,asAshleyBouchernotedinTheWrap,onlydoesthingsthatmightbringjoy.[57] HanhNguyenwroteinIndieWirethat,evenwhenVillanelleinvadesherhomeEve"can'tquitecapturewhoVillanelleisasaperson"sincetheassassinalwaysseemstobeafewstepsahead,andthatPolastri,possessedofa"frustratingattraction","keepsbangingherheadontheenigmaticwallthatisVillanelle".[58]AndMelanieMcFarlandwroteinSalonthat,thoughVillanellehastheopportunitytokillPolastriduringthebreak-in,forceswithinVillanelle–despitehavingbeen"raisedtokillwithoutguiltorconcern"–compelhertowantPolastrialive.[50] AngelicaJadeBastiénwroteinVulturethat,afterVillanellemanipulatesPolastriintocommittingabrutalmurder,thewomenare"finallystrippedoftheirproxies,andtheelectrictensionbetweenthemislaidbare".[52]SandraOhdescribedPolastri'sultimatelymisguidedbeliefthatsheis"special"enoughtocontrolVillanelle,thattheyhavea"special"connection,but—upontellingVillanellethatVillanelledoesn'tknowwhatloveis—learnsotherwise:Villanelleshootsher,acounterpointtoEvehavingstabbedVillanelleearlier.[59]VillanellehadlaterreflectedonPolastri'shavingstabbedher,"Sometimeswhenyoulovesomeone,youwilldocrazythings".[60] Social,thematicandcreativecontext[edit] Seealso:EvePolastri§ Social,thematicandcreativecontext;andVillanelle(character)§ Social,thematicandcreativecontext Conspicuously,bothprotagonistandantagonistarewomen—ararityincat-and-mousethrillers.[47][48] BBCAmericapresidentSarahBarnettcommentedthat"thereisamarvelousseachangehappeningwhereweareprofoundlyshiftingawayfromaninvisible,unconsciousassumptionthatthebigstorieshavemenatthecenter,andanythingelseisasubsetofthat".[61]MattZollerSeitznotedinVulturethat,evenincontrasttofilmssuchasSilenceoftheLambsandHannibalinwhichoneleadcharacterisfemale,theconflictbetweenPolastriandVillanelleismoreequaldespitethefactoneenteredas"anMI5paper-pusher"andtheotherasanexperiencedassassin.[48]Alongsimilarlines,MelanieMcFarlandwroteinSalonthatmostfeministnarrativesareframedintermsofamale-femaledynamic,butPolastriandVillanelleexplore"patriarchy'simpactonthealreadydelicatecomplexitiesoffemalerelationships":thoughsisterhoodispowerful,"it'salsocomplicatedanddevoidofguarantees"and"canbefalseandatrap".[50] BenGoldbergwroteinIntothattherelationshipbetweenPolastriandVillanelle—"oftensexual,attimesromantic,andoccasionallyvengeful"—"resistssimplecategorization".[62]Theirmutualaffectationsuggestsanalternativelifestyle,thecoupleperformingan"elaboratedance,edgingclosertooneotherwhilealwaysbeingjustslightlyoutofreach".[62]Thecharacters’mutualinterestis"rootedinadesireofanunknown–alifeawayfromthementhatpresentlystructuretheirlives".[62] Relationshipsandsexuality[edit] Showrunner-writerPhoebeWaller-Bridgeremarkedthatthecharacters"giveeachotherlifeinawaythat'smorecomplexthanaromanticrelationship.It'ssexual,it'sintellectual,it'saspirational."[46]Alongtheselines,MelanieMcFarlandwroteinSalonthattheshow's"carefulawarenessofthelovelanguagesoffashion,musicandsettingallplayrolesinstrengthening(theaudience's)affair"withthecharacters.[50]HannahGiorgiswroteinTheAtlanticthatits"greatestsuccess"ishowalluringitmakesVillanelletoanintelligenceagentdedicatedtotrackingherdown.[63]CallingKillingEvea"sexuallychargedfemale-buddy-comedyespionagenailbiter",JennaSchererwroteinRollingStonethattheactresses"shareacracklingchemistry,onethatsituatestheminagrayrealmbetweenbitterenemiesandwould-belovers".[64] ShannonLiaonotedinTheVergethat"somesaythatdemandingphysicalexpressionsofsexualityorotherconcreteconfirmationsofqueerrelationships...canerasesubtler,morecomplexrelationships",andthatthispair'smutualobsession"venturesintohomoeroticterritory"withoutexplicitphysicalconsummation.[65]Accordingly,theshowhaslargelyescapedcriticismsof"age-oldissuesdealingwithLGBTQrepresentationon-screen,likequeerbaitingormale-fantasylesbianism",withLiaoconcludingthat"KillingEveisoneoftheonlyshowspushingtheenvelopeintheespionagegenreonrace,gender,andsexuality".[65]NatalieAdlerwroteinBuzzFeedNewsthattheshowisabout"femmepower,femmecruelty,femmetreachery—anexplicitlyqueerpower,onethatdoesn'tsuffercismen".[66]KateArthurwroteinBuzzfeedNewsthatthisrelationship"hasneverbeforeexistedbetweenwomenontelevision:aqueerwill-they-or-won't-theyromanceinwhichonesuitorisanadmittedpsychopath".[67] Portrayals[edit] Mainarticles:EvePolastri§ Portrayal,andVillanelle(character)§ Portrayal JiaTolentinowroteinTheNewYorkerthatthe"womenaredeeplystrange,formingacollectivestudyinimprobablecontrasts,strungtogetherbyeachactor'scharisma".[45]MattZollerSeitzwroteinVulturethatOh'sperformanceasPolastriactuallymakesVillanelle'scharacterfeelmoreplausible–as"anincarnationofEve'ssublimatedaggressionandassertiveness".[48]ThoughJiaTolentinowroteinTheNewYorkerthatVillanelle'scharacter"works"becauseofComer's"mercurial,unassailablecharisma",[45]andWillaPaskinwroteinSlatethatComer'sVillanelle(twistedandconsciencelessbutalsoirrepressible)is"flat-outincredible"[47]andMikeHaleagreedinTheNewYorkTimesthatComerisgoodinthat"showierpart".HaleaddedthatitisMs.Ohwhoensurestheseriesis"morethanacuteglossontheglamorousinternationalcaper."[49] Useoffashion[edit] Apinktulledressworninthefirst-seriesepisode"I'llDealwithHimLater",designedbyMollyGoddard,washeraldedasa"fashionmoment"[68]thatinspiredthedresseswornonredcarpetsinthesubsequentawardsseason,includinganoverwhelmingshowingofpinkatthe91stAcademyAwardsceremonyin2019.[69][70][71][72] Theshowhashadthreecostumedesigners:PhoebedeGayeforthefirstseries,CharlotteMitchellforthesecond,andSamPerryforthethird.[73][74] Villanelle[edit] ThecharacterVillanelle'srelationshiptofashionhasbeendescribedbymanypeople.GillyFergusonofGraziasaysthatshehasbecomea"styleicon".[75]LukeJennings,authorofthebookseriesonwhichtheshowisbased,saysthat"Clothesreflectherstatusandindependence[...]Shedoesn'thavetoconformorpleaseanyone'sgaze";CharlotteMitchellagreesthat"Sheplaysbyherownrules".[73]SoniaSaraiyaofVanityFairconsidersVillanelle'soutfits"theirownsubplot";shenotesthatthecharacterchoosingtoliveinParisisalsoanodtotheemphasisonfashionintheshow.[76]MelaniaHidalgoofTheCutwritesthat"Villanellereversesthestyleofatypicalfemmefatale,wearingeverydaybasicsonhermissionswhilesavingthechoicestitemsinherwardrobeforherdaysoff";[77]inreferencetoaspecificoutfit,SteffYotkaofVoguesaysthatVillanellehas"redefinedthelookofaninternationalassassinstory"bysubvertingclassictacticalgearandsleekness.[78]MitchellalsosaidofVillanellethatshe"usescolortoprovokereactions",pointingtothepinkMollyGoddarddress.[73] EvePolastri[edit] ConsideredVillanelle'sfashionfoilbyEntertainmentWeekly,EvePolastrihasbeendescribedasconsideringfashion"trivial"andnotbotheringtodresswell.Jenningssuggestedthatevenifshecared,"she'dbehopelessatit";MitchellanddeGayecraftedoutfitsthatmatchEve'spracticalattitude,withMitchellsayingthatshe"wearselasticwaists[because]shedoesn'thavetimetodoupabuttonfly".[73]Otherchoicesincludemoreclothesmadeoflinentomoreeasilyappeardishevelled.[73]Eveisallowedsomemomentsofbeingwell-dressed,however,whicharesignificanttotheplot,includingtryingondressesthatVillanellehaschosenforherinherownstolensuitcase.[76] Reception[edit] Criticalresponse[edit] CriticalresponsetoKillingEve Series RottenTomatoes Metacritic 1 96%(154reviews)[79] 83(22reviews)[80] 2 92%(163reviews)[81] 86(22reviews)[82] 3 80%(158reviews)[83] 63(16reviews)[84] 4 56%(89reviews)[85] 55(14reviews)[86] Series1[edit] OnRottenTomatoes,thefirstserieshasanapprovalratingof96%basedon154reviews,withanaverageratingof8.3/10.Thewebsite'scriticalconsensusreads,"Seductiveandsurprising,KillingEve'stwistonthespyvs.spyconceptrewardsviewerswithanaudaciouslyentertainingshowthatfinallymakesgooduseofSandraOh'stalents."[79]OnMetacritic,ithasaweightedaveragescoreof83outof100basedon22critics,indicating"universalacclaim".[80] JennaScherer,writinginRollingStone,describedKillingEveas"hilarious,bloody,unclassifiable"andidiosyncratic,"astylishstoryofobsessionandpsychopathythat'sdisarminglywarmandlived-in".[64]Schererwentontowritethattheshow"undermineseveryruleofTV",withwhatitdoesbestbeingits"drywit,razor-wiretension,sexappealandtheloomingthreatofviolence".[64]HanhNguyenwroteonIndieWirethatoneoftheshow'smostappealingaspectsis"howitsubvertsexpectation",allowingitto"constantlysurpriseanddelight".[58]TroyPattersonwroteinTheNewYorkerthatthestorydiscloses"alifeindependentofgenreconventions"andthatthetriumphoftheshow'sstyleisits"reconciliationoftheoutlandishandtheintimate",addingthatthe"JasonBourne-styleescapismofthebarepremise,inflectedbytheassertivelyoddtone,yieldsfreshdepictionsoffearandgrief".[87]InthecontextofVulture'sselectionofSandraOhasthebestactressontelevision(June2018),MattZollerSeitzwrotethattherewas"noprecedent"forthe"wildextremes"oftheshow's"comedyandthrillerelements".[48]WhileMikeHaleacknowledgedinTheNewYorkTimesthat"scenesandcharacterizationsplayoutdifferentlythanwe'reusedto"andthecomicstyleisdistinctive,healsowrote–incontrasttomostreviewers–ofbeing"justasconsciousof(theshow's)congruenceswithstandardexamplesofthegenre...as...ofthedifferences",citingBerlinStation,LaFemmeNikita,CovertAffairsandHomeland.[49] Schererdescribedtheshowasafemininetakeonatraditionallymasculinegenre—"moreinterestedingivingspacetocharacterbeatsandtheweirdchaosthatcanleakintothebest-laidplans".[64]Similarly,MelanieMcFarlandwroteforSalonthatKillingEvehasbeendubbeda"feministthriller",callingita"perfectshowforthe#MeTooera",sayingthatit"slakesone'sdesiretoseepiggishmisogynistsgetwhat'scomingtothem"butalsodelvesintocomplextrustissuesamongwomenandshows"sisterhood'smightandperil(as)powerful...but...alsocomplicatedanddevoidofguarantees".[50]Alongthesamelines,WillaPaskinwroteinSlatethatKillingEveisastoryabout"theliteraldangersofunderestimatingwomen:ofnotseeingthewomanwhocankillyou,underestimatingthewomanwhocanstopher".[47]Paskinaddedthat"Thedisfigured,beatingheartofKillingEveisthewaythatVillanelle'sgenderandmanner,herveryfemininity,keepouracculturatedbrainsfrombeingappropriatelyterrifiedofher".[47] JiaTolentinoacknowledgedinTheNewYorkerhowcriticshavenotedthatwomencharactersaresubstitutedformen"ineverymeaningfulpart",thatthemenare"formulaic"butthewomenare"deeplystrange".[45]However,TolentinoassertedthatKillingEve"isn'tshapedaroundtheconceptofwomen;it'sshapedaroundthesewomen,whoareunlikeanyothersintheirwild,unlikelyinteriorweirdnessandflux".[45]Sheaddedthatadefiningfeatureoftheshowisits"constantreversalsintoneandrhythm",withtheshow'sthrillcoming"frompatternratherthanresolution".[45] BenGoldbergwroteinIntothattheseries"neveroutrightexplainsitscharacters'sexualities,butunlikeshowsthatqueerbaittheiraudiences,KillingEvedoesnotneedtonametherelationshipbetweenEveandVillanelleinordertorecognizeit",addingthattheshow"doesnotshyawayfromitscharacters'sexualattractionbutalsocomplicatesthisnarrativeateveryturn".[62] HannahGiorgiswroteinTheAtlanticthattheshow'sgreatestsuccessis"howalluringitmakesitsvillain:tobothEve...andaudiences",andthatVillanelle'scharactersubvertsfemininestereotypessoasto"carveajaggedspaceintotheserial-killercanon".[63] Series2[edit] OnRottenTomatoes,thesecondserieshasanapprovalratingof92%basedon163reviews,withanaverageratingof8.15/10.Thewebsite'scriticalconsensusreads,"Withthetitillatingcat-and-mousegamestillrootedatitscore,KillingEvereturnsforanenthrallingsecondseasonofconsiderablyhigherstakes,hilariouslydarkhumorandacaptivatingdynamicbetweencharacters,solidifyingitspositionasoneofthebestspythrillersout."[81]OnMetacritic,ithasaweightedaveragescoreof86outof100basedon22critics,indicating"universalacclaim".[82] ChitraRamaswamywroteinTheGuardianthattheshow"uprootsthetiredoldsexisttropesofspythrillersthenrepotsthemasfeministin-jokes,patriarchalpiss-takes,tastelessmurdersandbloomsofsapphicchemistry".[88]DescribinghowVillanelle"doeswhatshealwaysdoes—exploitsociety'smisogynybyimitatingavictimofit"—EmilyNussbaumwroteinTheNewYorkerthatthepotentideathatundergirdstheshowisthat"femininityisitselfasortofsociopathy,whoseperformance,ifyoutrulynailit,mightbethesourceofultimatepower".[89] AngelicaJadeBastiénwroteinVulturethatthesecondseason,withnewshowrunnerEmeraldFennell,"tradesintheprecisemordantwitofseriescreatorPhoebeWaller-Bridgeforsomethingmoregarishandhorrifying",furtherdescribingthe"wildconsumption"offoodandclothing"thatbuildsintotheclosestthingtheshowhascometoagenuinesexscenebetween"thetwowomen.[52]Bastiénalsoperceivedthat"KillingEveisdeeplyindebtedtofilmnoir,agenrewhosebackboneisthewayspeoplelosetheirsoulinthefaceofdesire—...butit'sanoiroperatingatthetenorofafairytale".[52] Series3[edit] OnRottenTomatoes,thethirdserieshasanapprovalratingof80%basedon158reviews,withanaverageratingof6.75/10.Thewebsite'scriticalconsensusreads,"IfKillingEve'sthirdseasondoesn'tcutquiteasdeep,it'sstillafiendishlydelightfulshowcaseforJodieComerandSandraOh'skillerchemistry."[83]OnMetacritic,ithasaweightedaveragescoreof63outof100basedon16critics,indicating"generallyfavorablereviews".[84] Series4[edit] OnRottenTomatoes,thefourthserieshasanapprovalratingof56%basedon89reviews,withanaverageratingof6.55/10.Thewebsite'scriticalconsensusreads,"Villanelle'sfoundreligioninKillingEve'sclimacticseason,butthisserieshasspunitswheelsforsolongthatthethrillisgone."[85]OnMetacritic,ithasaweightedaveragescoreof55outof100basedon14critics,indicating"mixedoraveragereviews".[86] Theseriesfinaleairedon10April2022.Theseries'endingreceivedveryheavybacklashfromitsfanbaseandcritics,whocalleditunsatisfyingandcruel.[90][91]Thefinalewascriticizedforperpetuatingthe"BuryYourGays"trope;killingaqueermaincharactermomentsaftersheachievedhappiness,withnorealcontextualreasonforthedeathtohaveoccurred.[92][93]TheepisodewasquicklyrankedonworstTVfinalelists.[94]Jennings,inanarticleforTheGuardian,consoledupsetfans,deemingtheending,'abowingtoconvention'.[95]Fanswerequicktopointoutotherexamplesofhomophobiapresentthroughouttheseason.AreligiousthemedredemptionarcformaincharacterVillanellewasapointofcontention,aswellastheoveralltreatmentoftherelationshipbetweenmaincharactersEveandVillanelle.[96][97]AseriesofcommentsmadebyproducerSallyWoodwardGentleandshowrunnerLauraNealinpost-seasoninterviewswerecalledintoquestionbyfansfortheirhomophobicnature,referringtothecontroversialdeathsceneasasortof"rebirth"forthesurvivingmaincharacter,allowinghertoreturntoa"normallife."[98] Priortofilming,seriesfourexperiencedanearlierbacklashwhenKayleighLlewellyntweetedascreenshotofaZoomcallwiththeotherwritersofseriesfour.Thisledtocriticismofthelackofdiversityinthewriter'sroom,givenoneoftheprogramme'sleads,EvePolastri,wasanAsianwoman.[99]ExecutiveproducerSallyWoodwardGentlelaterresponded,stating,"Youlookatthatroomandit'sfullofbrilliantfemalewriters,we'vegotareallystrongLGBTQcontingent,butit'snotgoodenoughandweneedtodobetter."[100]Despitethis,fanswerequicktocriticizeadistinctlackofattentionpaidtoEve'scharacterinthefinaltwoseasonsoftheshow,withsignificantlymoreattentionbeingpaidtothestorylineofwhitesidecharacter,Carolyn,whomproducersintendedtomakeaspin-offaboutfollowingtheseriesfinale. "Bestof"lists[edit] ReviewaggregatorMetacriticreportedinearlyDecember2018thatmoreindividualtelevisioncriticsincludedKillingEveintheir2018year-endTopTenliststhananyothershow.[101] InNovember2018,KillingEvewaschosenasTimemagazine'sBestShowof2018,themagazine'sJudyBermanwritingthat"thecharactersweremultidimensionalbutincomplete,theirmutualobsessionfueledbythesensethateachwomanhadsomethingcrucialtheotherlacked".[102]ItwasnumberthreeonTheNewYorkPost'sDecider.com"BestTVShowsof2018"list,beingpraisedfor"brilliantwriting"and"nuancedperformances".[103]Itwasalsosecondonthe"25BestTVShowsof2018"listfromPastemagazine,whichlabelleditas"thebestnewseriesoftheyear".[104] InDecember2018,TheGuardiannamedKillingEvethebestTVshowof2018,describingitasa"high-wireactofmisdirectionthatsubvertedstalegenreexpectations"andsayingthatit"mix[es]genres–spythriller,comedy,actionfilm,workplacedramaand...farce–withoutitcollapsingintoatonalmess".[105]TheNewYorkTimesincludedKillingEveinits"BestTVShowsof2018"list,statingthattheserieswas"infused...withthebrioofadarkcomedy,thoughitshourlengthmarkeditascrimedrama".[106]TheNewYorkTimesalsoincludedOh'sandComer'sperformancesinitslistof"BestPerformancesof2018",noting"thesetwowomenareinventiveabouthowtobefunnyinathriller"and"makerun-of-themillembarrassmentseemmorelethalthananybullet".[107]NPRincludedtheshowonitslistof"FavoriteTVShowsof2018",sayingthatitmaybe"thestrangest—andmostcompelling—storyofhowoppositesattractonTVthisyear".[108] TheWashingtonPostlistedKillingEveasthethirdbestshowof2018,callingthe"sleeperhit...splendidlypaced".[109]USATodaylistedtheshowatfifthplaceonits"BestTVShowsof2018"list,remarkingthatit"completelysurprisesyou,fromitswritingtoitsperformancestoitsdirectiontothenamesontheposter".[110]NewYorkmagazine'spopculturewebsiteVultureincludedtheseriesasnumbersevenonJenChaney's"10BestTVShowsof2018"list,remarkingonitsimmediateandescalating"senseofpropulsivedaring"anditsinfusionof"feminineenergy".[111]TVGuidenamedOh'sandComer'sperformancesasthesecondbestTVperformanceof2018,andsaidthattheshow"endeduponprettymucheveryone'sBestof2018lists".[112]VanityFairlistedtheshowatsecondplaceonits"BestTVShowsof2018"list,sayingthat"watchingKillingEveislikesprayingadisinfectantforthemustytropesofprestigedramadirectlyontoyourbrain"andinvitingviewersto"comefortheblackcomedy;stayforthefashion".[113] RollingStonenamedtheshowasthefourthbestTVshowof2018,describingitas"excitingandscarywhilemakingroomforthequippydialogueandsmartobservationsabouthowwomeninteract".[114]IndieWirelistedKillingEveasthefourthbestnewTVshowof2018,sayingthat"exploringidentityanddarkdesires,theseriesnevermetanimpulseitdidn'tpursuetoitsextreme",andthat"outrageousandoftenoff-kilterdarkhumoronlyhighlightstheshow'stransgressivecharms".[115]LivinglyMedialistedtheseriesasthethirdbestTVshowof2018,sayingitis"loadedwithquippydialogueandrazor-sharpobservationsabouthowwomeninteractinincreasinglydestructiveenvironments".[116]Mashableratedtheshownumberfouronits"BestNewTVShowsof2018"list,praisingthetwoleadactorsandcommentingthattheshowwas"exactlytheweird,psychosexualromp(that)2018needed".[117] InSeptember2019,TheGuardianrankedKillingEve30thonitslistofthe100bestTVshowsofthe21stcentury,statingthat"fewshowsinTVhistoryhavescythedontothescreenwithasmuchelan".[118]InDecember2019,TheNewYorkTimesnamedtheshowas9thonitsBestInternationalTVShowsoftheDecade,characterisingitas"ariffontheromanticspythrillerthatcanbedarklyfunnyonemomentanddevastatingthenext".[119] Ratings[edit] Thefirstserieshadunbrokenweeklyratingsgrowthamongadultsaged25–54and18–49,whichnoothertelevisionshowhadaccomplishedinmorethanadecade.[120]Thefinalepisode's1.25 millionviewers(Nielsenlive+3)was86percentgreaterthanforthepremiere.[120]ThesecondserieswassimulcastonbothAMCandBBCAmerica,withitspremieredrawingacombinedtotalof1.17 millionviewers. WhenthefirstepisodeofthesecondserieswasshownonBBCOneithad3.5 millionviewerstakinga21%audienceshare.[121] KillingEve :U.S.viewersperepisode(thousands)SeasonEpisodenumberAverage123456781423371388503518537485701491240332136145945440241936739834433423343804193403573933764435341300337194273354354324AudiencemeasurementperformedbyNielsenMediaResearch[122] Accolades[edit] AwardnominationsforKillingEve Year Award Category Nominee(s) Result Ref. 2018 GothamAwards BreakthroughSeries–LongForm KillingEve Won [123] People'sChoiceAwards TheBingeworthyShowof2018 KillingEve Nominated [124] PrimetimeEmmyAwards OutstandingLeadActressinaDramaSeries SandraOh(for"IHaveaThingAboutBathrooms") Nominated [125] OutstandingWritingforaDramaSeries PhoebeWaller-Bridge(for"NiceFace") Nominated TelevisionCriticsAssociationAwards IndividualAchievementinDrama JodieComer Nominated [126] SandraOh Nominated OutstandingAchievementinDrama KillingEve Nominated OutstandingNewProgram KillingEve Won ProgramoftheYear KillingEve Nominated 2019 AmericanCinemaEditorsAwards BestEditedDramaSeriesforCommercialTelevision GaryDollner Won [127] BritishAcademyTelevisionAwards BestDramaSeries KillingEve Won [128][129] BestLeadingActress JodieComer Won SandraOh Nominated BestSupportingActor KimBodnia Nominated BestSupportingActress FionaShaw Won Must-SeeTVMoment EvestabsVillanelle Nominated BritishAcademyTelevisionCraftAwards BestWriting PhoebeWaller-Bridge Nominated [130] CostumeDesign PhoebeDeGaye Nominated Director:Fiction HarryBradbeer(episode1) Nominated Editing:Fiction GarryDollner(episode1) Nominated OriginalMusic DavidHolmes,KeefusCiancia Won PhotographyandLighting:Fiction JulianCourt(episode7) Nominated ProductionDesign KristianMilsted Nominated Sound:Fiction Soundteam Won TitlesandGraphicIdentity MattWilley Nominated Critics'ChoiceTelevisionAwards BestActressinaDramaSeries JodieComer Nominated [131] SandraOh Won BestDramaSeries KillingEve Nominated GoldenGlobeAwards BestActress–TelevisionSeriesDrama SandraOh Won [132] BestTelevisionSeries–Drama KillingEve Nominated GracieAwards ActressinaLeadingRole–Drama SandraOh Won [133] Drama KillingEve Won LocationManagersGuildAwards OutstandingLocationsinContemporaryTelevision CasperMills Nominated [134][135] NationalTelevisionAwards BestNewDramaSeries KillingEve Nominated [136] OutstandingDramaPerformance JodieComer Nominated PeabodyAward Entertainment KillingEve Won [137][138] PrimetimeEmmyAwards OutstandingDirectingforaDramaSeries LisaBrühlmann(for"DesperateTimes") Nominated [139][140] OutstandingDramaSeries SallyWoodwardGentle,LeeMorris,PhoebeWaller-Bridge,EmeraldFennell,GinaMingacci,DamonThomas,FrancescaGardiner,SandraOh,ElinorDay,MorenikeWilliamsandAndyNoble Nominated OutstandingLeadActressinaDramaSeries JodieComer(for"IHopeYouLikeMissionary!") Won SandraOh(for"You'reMine") Nominated OutstandingSupportingActressinaDramaSeries FionaShaw(for"NiceandNeat") Nominated OutstandingWritingforaDramaSeries EmeraldFennell(for"NiceandNeat") Nominated PrimetimeCreativeArtsEmmyAwards OutstandingCastingforaDramaSeries SuzanneCrowleyandGillyPoole Nominated OutstandingProductionDesignforaNarrativeContemporaryProgram(OneHourorMore) LaurenceDorman,BeckieHarveyandLindaWilson(for"TheHungryCaterpillar") Nominated OutstandingSingle-CameraPictureEditingforaDramaSeries DanCrinnion(for"DesperateTimes") Nominated SatelliteAwards BestActressinaDrama/GenreSeries SandraOh Nominated [141] SaturnAwards BestAction-ThrillerTelevisionSeries KillingEve Nominated [142] BestActressinaTelevisionSeries SandraOh Nominated ScreenActorsGuildAwards OutstandingPerformancebyaFemaleActorinaDramaSeries SandraOh Won [143][144] TelevisionCriticsAssociationAwards IndividualAchievementinDrama JodieComer Nominated [145] OutstandingAchievementinDrama KillingEve Nominated 2020 BritishAcademyTelevisionAwards BestLeadingActress JodieComer Nominated [146] BritishAcademyTelevisionCraftAwards BestEditing:Fiction DanCrinnion(for"Episode4") Nominated BestOriginalMusic DavidHolmesandKeefusCiancia Nominated BestProductionDesign LaurenceDormanandLindaWilson Nominated CostumeDesignersGuildAwards ExcellenceinContemporaryTelevision CharlotteMitchell(for"DesperateTimes") Nominated [147] Critics'ChoiceTelevisionAwards BestActressinaDramaSeries JodieComer Nominated [148] GLAADMediaAwards OutstandingDramaSeries KillingEve Nominated [149] GoldenGlobeAwards BestActress–TelevisionSeriesDrama JodieComer Nominated [150] BestTelevisionSeries–Drama KillingEve Nominated LocationManagersGuildAwards OutstandingLocationsinContemporaryTelevision JamieParsons,JordiUtset,LucianAsan Won [151] PrimetimeEmmyAwards OutstandingDramaSeries SallyWoodwardGentle,LeeMorris,PhoebeWaller-Bridge,GinaMingacci,SandraOh,DamonThomas,SuzanneHeathcote,JeffMelvoin,LynnHorsfordandNigeWatson Nominated [152][153] OutstandingLeadActressinaDramaSeries JodieComer(for"AreYouFromPinner?") Nominated SandraOh(for"AreYouLeadingorAmI?") Nominated OutstandingSupportingActressinaDramaSeries FionaShaw(for"ManagementSucks") Nominated PrimetimeCreativeArtsEmmyAwards OutstandingCastingforaDramaSeries SuzanneCrowleyandGillyPoole Nominated OutstandingContemporaryCostumes KatieBroome,SamPerryandJustinSelway(for"AreYoufromPinner?") Nominated OutstandingMusicSupervision CatherineGrievesandDavidHolmes("MeetingsHaveBiscuits") Nominated OutstandingProductionDesignforaNarrativeContemporaryProgram(OneHourorMore) LaurenceDorman,BeckieHarveyandCaseyWilliams(for"AreYouFromPinner?") Nominated SatelliteAwards BestTelevisionSeries–Drama KillingEve Nominated [154] BestActressinaDrama/GenreSeries JodieComer Nominated SandraOh Nominated ScreenActorsGuildAwards OutstandingPerformancebyaFemaleActorinaDramaSeries JodieComer Nominated [155] 2021 AmericanCinemaEditorsAwards BestEditedDramaSeriesforCommercialTelevision DanCrinnion(for"StillGotIt") Nominated [156] AmericanSocietyofCinematographersAwards OutstandingAchievementinCinematographyinanEpisodeofaOne-HourTelevisionSeries–Commercial CarlosCatalán(for"MeetingsHaveBiscuits") Nominated [157] ArtDirectorsGuildAwards ExcellenceinProductionDesignforaOne-HourContemporarySingle-CameraSeries LaurenceDorman(for"AreYoufromPinner?") Nominated [158] BritishAcademyTelevisionAwards BestLeadingActress JodieComer Nominated [159] GLAADMediaAwards OutstandingDramaSeries KillingEve Nominated [160] GoldenGlobeAwards BestActress–TelevisionSeriesDrama JodieComer Nominated [161] Make-UpArtistsandHairStylistsGuildAwards BestContemporaryMake-Up JulietteTomesandAmyBrand(Season3) Nominated [162] MTVMovie&TVAwards BestKiss JodieComerandSandraOh Nominated [163] SatelliteAwards BestTelevisionSeries–Drama KillingEve Nominated [164] BestActressinaDrama/GenreSeries SandraOh Nominated Spin-off[edit] InMarch2021,SidGentleFilmsconfirmedthatKillingEvewouldconcludewithitsfourthseries.Additionally,thedevelopmentofapotential,unnamed,spin-offserieswasbeingconsidered.[5] InApril2022,itwasconfirmedthataspin-offfocusingonCarolynMartens'earlylifeatMI6wasintheearlystagesofdevelopment.[165] References[edit] 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Externallinks[edit] KillingEveatBBCOnline KillingEveatBBCAmerica KillingEveatIMDb  Jennings,Luke(5August2018)."KillingEve:howmypsychokillerwasbroughttolife".TheGuardian.Archivedfromtheoriginalon5August2018. Garvan,Sinead(8July2020)."KillingEve'sVillanelle:'Sheneededadventuresmade'".BBCNews.Retrieved8July2020. vteKillingEveCharacters EvePolastri Villanelle Episodes "NiceFace" "I'llDealwithHimLater" "Don'tIKnowYou?" "SorryBaby" "IHaveaThingAboutBathrooms" Related CodenameVillanelle KillingEve:NoTomorrow KillingEve:DieforMe LukeJennings AwardsforKillingEve vteBAFTATVAwardforBestDramaSeries InspectorMorse(1992) InspectorMorse(1993) BetweentheLines(1994) Cracker(1995) Cracker(1996) EastEnders(1997) JonathanCreek(1998) TheCops(1999) TheCops(2000) ClockingOff(2001) ColdFeet(2002) Spooks(2003) Buried(2004) Shameless(2005) DoctorWho(2006) TheStreet(2007) TheStreet(2008) Wallander(2009) Misfits(2010) Sherlock(2011) TheFades(2012) LastTangoinHalifax(2013) Broadchurch(2014) HappyValley(2015) WolfHall(2016) HappyValley(2017) PeakyBlinders(2018) KillingEve(2019) TheEndoftheF***ingWorld(2020) SaveMeToo(2021) InMySkin(2022) vteGothamIndependentFilmAwardforBreakthroughSeries–LongForm Mr.Robot(2015) CrazyEx-Girlfriend(2016) Atlanta(2017) KillingEve(2018) WhenTheySeeUs(2019) Watchmen(2020) SquidGame(2021) vteTCAAwardforOutstandingNewProgram AllyMcBeal(1998) TheSopranos(1999) TheWestWing(2000) GilmoreGirls(2001) 24(2002) Boomtown(2003) ArrestedDevelopment(2004) Lost(2005) MyNameisEarl(2006) FridayNightLights(2007) MadMen(2008) TrueBlood(2009) Glee(2010) GameofThrones(2011) Homeland(2012) TheAmericans(2013) OrangeIstheNewBlack(2014) BetterCallSaul(2015) Mr.Robot(2016) ThisIsUs(2017) KillingEve(2018) RussianDoll(2019) Watchmen(2020) TedLasso(2021) Retrievedfrom"https://en.wikipedia.org/w/index.php?title=Killing_Eve&oldid=1091036884" Categories:KillingEve2018Britishtelevisionseriesdebuts2022Britishtelevisionseriesendings2010sBritishblackcomedytelevisionseries2010sBritishLGBT-relateddramatelevisionseries2020sBritishblackcomedytelevisionseries2020sBritishLGBT-relateddramatelevisionseriesBBCAmericaoriginalprogrammingBisexuality-relatedtelevisionseriesBritishthrillertelevisionseriesEnglish-languagetelevisionshowsEspionagetelevisionseriesFeministtelevisionFictionaboutassassinationsFictionalrivalriesMI5infictionSerialdramatelevisionseriesSpythrillertelevisionseriesTelevisionseriescreatedbyPhoebeWaller-BridgeTelevisionshowsbasedonBritishnovelsTelevisionshowsshotinLondonTelevisionshowssetinLondonTelevisionshowssetinParisWorksaboutcontractkillersHiddencategories:CS1errors:requiresURLArticleswithshortdescriptionShortdescriptionisdifferentfromWikidataUseBritishEnglishfromSeptember2020UsedmydatesfromFebruary2022PagesusinginfoboxtelevisionwithunknownparametersPagesusingmultipleimagewithautoscaledimagesAllarticleswithunsourcedstatementsArticleswithunsourcedstatementsfromNovember2019BBCprogrammetemplateusingWikidataPagesusingtheGraphextension Navigationmenu Personaltools NotloggedinTalkContributionsCreateaccountLogin Namespaces ArticleTalk English Views ReadEditViewhistory More Search Navigation MainpageContentsCurrenteventsRandomarticleAboutWikipediaContactusDonate Contribute HelpLearntoeditCommunityportalRecentchangesUploadfile Tools WhatlinkshereRelatedchangesUploadfileSpecialpagesPermanentlinkPageinformationCitethispageWikidataitem Print/export DownloadasPDFPrintableversion Inotherprojects WikimediaCommons Languages العربيةБългарскиCatalàDeutschEspañolEuskaraفارسیFrançais한국어ՀայերենBahasaIndonesiaItalianoעבריתქართულიKreyòlayisyenമലയാളംNederlands日本語PolskiPortuguêsРусскийSimpleEnglishСрпски/srpskiSuomiSvenskaTürkçeУкраїнська粵語中文 Editlinks